John Glover, Russel Drysdale, Lauren Berkowitz & Barbara Reid

end-to-end history the unique and changeable Australian embellish has inspired a diverse array of artistic responses. Impressios of its power and beauty, expressions of individuals responses, emblematical religious orientation, the range of beautify art works extends onwards. A gigantic pillowcase of the vast variations of styles evoke be seen in the artworks of Glover, Drysdale, Berkowitz and Reid. toilette Glover nature Hill at sunset Van Diemans realm, from near Mrs Ransons Public House, June twenty-ninth 1840.Oil on fuckvas, 76. 8 ? 114. 9 cm. H31203. La Trobe Picture Collection. John Glover, artist. support 18 February 1767, Houghton-on-the-Hill, Leicestershire, England Death 9 December 1849, Van Diemens Land (Tasmania), Australia. He accepts the emptiness that dominates the Australian bush, and this was a huge change from Lorrain, Hansen says. He was the start slap-up Australian painter of emptiness, a theme that obsesses painters to this day. (www. theage. com. a u/articles. )John Glover was an early colonialist painter and was one of the pioneers of an Australian landscape impression. He was an acclaimed landscape painter in England and France, however he was never seen as an artist who pushed the boundaries. This changed when he moved to Tasmania in 1831, age 64. He saying the Australia landscape with new eyes and was keen to become the next English Claude. Thus many have dubbed him The father of Australian landscape painting. The impressionist painting primitive Hill at sunset is mayhap one of Glover most renowned.While he was initially criticised for not paying close enough attention to the local characteristics, he did find an identity in his work through and through the landscape and atmosphere of Tasmania. His demoion of the Tasmanian light is bright and clear and his gum trees are rattling convincing, with their stalky pee and sparse and scraggly foliage. However the strong influence of romantic artists Claude Lorraine and Ga spard Poussin lingers in his work. Hence Glovers work has a very European flavour. It is likewise very picturesque and has an air of a peaceful Utopian land. This romantic, brilliant and esthetically pleasing style of painting has striking differences to the artistic techniques use by Russell Drysdale, Lauren Berkowitz and Barbara Reid Napangarti. Russell Drysdale Red landscape (1945) Vaucluse, Sydney, oil on composition board, 51. 9 x 67. 0 cm, inscribed in black paint Russell Drysdale Mr and Mrs Rupert Murdoch birth 1912, Bognor Regis, England Dearth 1981, Sydney, Australia Russel Drysdale moved from England to Australia when he was only eleven years old. Throughout his briotime he travelled extensively however his artistic accent remained on outback rural Australia.Because he spent the majority of his life in Australia his paintings show minimal European influence. This in itself creates a great contrast between Glover and Drysdale. Another significant difference is that Glo vers paintings are impressionistic while Drysdales artworks are expressionistic. This expressionist style broke away from the tradition Australian landscape art practices present in his era. Unlike Glover, Drysdale like to work form from sketches, photographs and his memory when composing.When Drysdale worked on his paintings he worked hard, however it would preferably often be a long and agonising experience. He was the first artist to investigate the abandon and rural outback-Australian life for a draw out period of time. This intensive exploration gave rise to the central themes of many of his artworks. just about of these themes included the issue of alienation of indigenous people, isolation of rural life, multi culturalism and case identity. The Red landscape is a perfect example of these themes. It shows the landscape contact Mount Olga in the Northern Territory.The dead twisted tree trunks, and exceedingly vivid colours express a strong mood of isolation and desert ion. Although the artwork is not as realistically precise as Glovers Constitutional Hill at sunset, it manages to express the true essences of the Australia desert. There is a house and washing blowing in the wind but there is no presence of human being, or anything living for that matter. This gives a bleak, depressing feeling. Lauren Berkowitz Strata, 1999, sandpaper and gravel, 14 x 7m Mc Clelland Gallery, Victoria Photo John GollingsBirth 1965, Melbourne Lauren Berkowitz is a contemporary installation artist. Installation art can be described as a deuce-ace-dimensional painting, sculpture, poem, and prose work, which is usually transient and site-specific. This very modern art practise makes Berkowitzs expression of Australian landscape is completely disparate to the previous two artists, Glover and Drysdale. Her work is made with an approximately obsessive attention to detail after painstaking research and, ultimately, union dedication to the moment of making.Similarly s ome(prenominal) Glover and Drysdale were very focused and crabby about their artworks. Unlike Glover and Drysdale, Berkowitz does not use paint at all, nor does she depict the landscape realistically. Instead she collects materials and items from the specific environment and creates a emblematic sculpture. oft they evoke complex thoughts, longings, and moods and have multiple meanings. Her works usually tramp around the themes of land degradation, environmental disasters and the human impact on the land.We can see these themes displayed in the artwork Strata, which gives a give a stimulate moral message of our obligation and responsibility to the earth and its sustainability. One can similarly draw many parallels between this artwork and Aboriginal artwork. For example like indigenous art Strata is based around symbolism. Also the sodding(a) colours depicted are very similar to that of indigenous desert artworks and, like traditional Australia tribal artists, Berkowitz is not interested in constructing constant monuments but rather temporary works that can be returned to the landscape.Although it is not as extreme in Drysdales work, one can also draw parallels between his use symbolism and Berkowitz. WOMANS HEALING CEREMONY mediocre Acrylic on Belgian linen. Image Size 120 x 75 cm- illustrated Australian Encyclopedia Aboriginal Artists, page 256, Barbara Reid Napangarti (B. 1962-) Barbara Reid Napangarti Barabara Reid Napangarhi was born in Tjukurla, in Western Australia. She belongs to the Pintupi tribe and is the daughter of the world-renowned artist Nigura Napurrula.Ried paints important cultural stories of womens dreaming associated with her region. The paintings explore the unique desert country of her homeland. Although Drysdale focused on a similar landscape they both portrayed the barren playing field in two very different ways. This is because Reid has a completely different art practice to Drysdale and Glover. However she does share some si milarities with Berkowitz. For example they both use symbols, lines and patterns to show the Australian landscape.The painting titled Womans Healing solemnity depicts the ceremonial site of the healing ceremony in her homeland Tjukurla. interchangeable all her paintings it carries a deep spiritual meaning. This is what differentiates her work form the three earlier artists. Glover simply gives an impression of the beautiful landscape around him, Drysdale gives a more expressionistic depiction of the Australian landscape and Berkowitz gives a symbolic personal message about the Australian landscape. Reid however includes the landscape into her dreamtime stories through symbolism that is common to her people.